Classes are broken down thoroughly enough to grant a ton of space to experiment with different skills and passive stat boosts that often incentivize specific styles of play, and this is far more evident at higher levels –- when you’ve earned your Ultimate and Key Passive abilities, which are total game-changers and could even be said to change the way a given character functions at a core level. Class customization is leaps ahead of Diablo 2: Resurrected and Diablo 3, especially at later levels, and this is due to an extensive class-based skill tree that’s more thorough and forgiving than that of Diablo 4’s predecessors. Of course, it wouldn’t be a proper Diablo game without deep character classes that offer plenty of space for customizing your own playstyle once the fighting starts. Let’s be clear: This is the darkest Diablo has ever been, and thematically speaking, blows Diablo 2’s brooding Gothic atmosphere out of the water. One takes place in the unmistakably Celtic-inspired woodland region of Scosglen, and the shock factor elicited by its body horror is deftly woven into the broader plot in a way that is signature to the series.
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One of the earliest pieces of evidence of its masterful cohesion between action, worldbuilding, and storytelling was a side-quest in the starting zone that had me exploring a frozen clearing for a villager’s husband, only to find him bound and flayed alive, begging for more devastation –- a clear nod to Hellraiser.Īll five of Diablo 4’s zones are chock full of moments like that.
Moreover, the graphical fidelity, music, and sound design are all top-tier, which is surprising given its frustrating always-online nature. The big villains are ambiguous in their motives but decidedly evil in their methods, and they’re played brilliantly throughout the campaign. Class customization is leaps ahead of Diablo 2: Resurrected and Diablo 3.ĭiablo‘s Sanctuary is rich with grisly lore, and this has never been more apparent than in Diablo 4.
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